000 01828nam  2200373za 4500
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008160816s1994    onc    #o    f100 0 eng d
040 |aCaOODSP|beng
043 |an-cn---
0861 |aCH57-4/5-1994E-PDF
1112 |aVarnishes, Authenticity and Permanence Colloquium |d(1994 : |cOttawa, Ont.)
24510|aVarnishes, Authenticity and Permanence Colloquium, 19-20 September 1994 |h[electronic resource] / |cby Leslie Carlyle and James Bourdeau.
260 |a[Ottawa] : |bCanadian Heritage :|bCanadian Canadian [i.e. Conservation] Institute, |cc1994.
300 |a14, [2] p.
500 |a"Archived Web Content" digitized in 2013 by The Canadian Conservation Institute.
504 |aIncludes bibliographical references.
5200 |aThe 13 papers presented at the colloquium cover a wide range of issues concerning the varnishing of oil paintings, including the advantages and disadvantages of various old and new surface coating materials, as well as methods to increase the longevity of traditional resins and a discussion on the stability of newer synthetics.
69207|2gccst|aArt works
69207|2gccst|aConservation
69207|2gccst|aRestoration
693 4|asynthetic resins
693 4|anatural resins
693 4|ayellowness
693 4|aUV absorbers
693 4|aearly Italian paintings
7001 |aCarlyle, Leslie.
7001 |aBourdeau, James.
7101 |aCanada.|bCanadian Heritage. |bCanadian Conservation Institute.
77508|tLes vernis, authenticité et stabilité, colloque, 19 au 20 septembre 1994 |w(CaOODSP)9.822472
85640|qPDF|s1.91 MB|uhttps://publications.gc.ca/collections/collection_2016/pch/CH57-4-5-1994-eng.pdf